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9 Stars IFReview Rating At Wit's End

IFReviewed by Paul OBrian on 2006-07-20 08:51 

Game Profile

Author
Mike Sousa

Idiom
English

Authoring System
Tads2

Release Year
2000

IFR Overall Rating
8 Stars IFR Overall Rating
Separator
"Expect the unexpected" may be a cliche, but there are a few things for which it is the perfect description. At Wit's End is one of these things. This game's plot has more twists and turns than a mountain road, and most of these surprises consist of various misfortunes for the hapless PC. In some games (e.g. Bureaucracy), I think this kind of plot could be intensely aggravating, but in this one, I thought it worked beautifully -- each new twist injected drama and suspense into the situation, but the combined weight of all of them gave the story a comic feel which counterbalanced nicely against all the cliffhanging turmoil. Of course, since the surprises are half the fun of AWE, I certainly won't give them away here, but suffice it to say that the game strings together one fairly plausible situation after another, ending up with a string of bad luck that's so unlikely it's funny, even though it's hard to laugh while you're frantically trying to think your way out of the latest mess. In fact, the one thing I was worried about during my initial time with the game was that the whole thing would be too linear: "something bad happens -- solve it. OK, something else bad happens -- solve that..." for 10 or 15 bad things in a row. Luckily, after an admittedly lengthy opening sequence of linear puzzles, the game wisely broadens into a more traditional middle section, where several puzzles must be solved in order to bring about one overall result.

Speaking of puzzles, most of them worked quite well for me. Certainly the opening sequence presented situations that were quite logical -- I found I sometimes needed to think a bit before I could come up with the right answer, but when I did come up with it, it felt right and made sense. Because of the tightly timed nature of some of these puzzles, I did come up against the death/failure message a bit more often than I'd have liked, but this is more my own fault than the game's. AWE isn't one of those games that give you one move to figure out the right action and kill you if you don't do it; some of the puzzles have four- or five-move time limits, but these limits make sense in the context of the puzzle situation, and they did succeed in creating a strong sense of urgency in me, whereas shorter time limits tend just to annoy me. There's a time limit for the midgame, too, but it's quite generous, and I found that it wasn't necessary to motivate me -- I was already frantic from the initial string of puzzles. I think this is a smart design choice on the game's part, one that lent a sense of tension to a midsection that might otherwise have sagged. Rather than feeling a letdown at having to explore and put together multi-step processes, I continued to feel on edge, as befit the character's situation.

Unfortunately, these multi-step processes comprise the game's one significant flaw. Sometimes, in its fervor to crank up the puzzle intensity along with the story intensity, the game overloads certain puzzles, thrusting them into the Babelfishy realm of the ridiculous. One puzzle in particular, probably the most byzantine of them all, really strained the bounds of believability for me. It's one thing to have a plot where misfortune piles upon misfortune, but when consistent, ongoing bad luck is a key feature of a puzzle, it's hard not to feel that the game has unfairly stacked the deck against you. I guess the lesson is that, for me anyway, when rotten luck is part of the plot, it still feels like the game is playing fair, because really bad days happen, but when the rotten luck is part of a puzzle (especially the kind of rotten luck that makes you think "but that wouldn't really happen!"), it feels like the game is cheating. This quibble aside, AWE is an excellent piece of work. The writing, though nothing special, is serviceable, and the coding is really outstanding. The game notices and comments on lots of little things, which really deepens immersion, as does AWE's thorough implementation of all first-level nouns. The best part, though, is the plot. At Wit's End has one of my favorite plots of any competition game from this year, one that kept surprising me even after I had figured out to expect the unexpected.

Paul OBrian Profile

Name Paul OBrian
Gender Male

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