IFRO

The still must tease with the promise of a story the viewer of it itches to be told.
Cindy Sherman


Login | Register


Username:
Password:

Who is Online

We have 671 registered Members.

There are no Members online.

There are 13 Guests online.

7 Stars IFReview Rating Chaos

IFReviewed by Paul OBrian on 2006-07-19 07:24 

Game Profile

Author
Shay Caron

Idiom
English

Authoring System
Tads2

Release Year
1999

IFR Overall Rating
6 Stars IFR Overall Rating
Separator
Most interactive fiction games use the second person voice, and make it clear from the outset that this is their mode. Think of "You are standing in an open field west of a white house," or "You are Primo Varicella." Chaos appears to follow in this tradition, describing a character named Captain Chaos but using the second person form of address several times in asides like "You know what I mean" or "you guessed it." Admittedly, the "I" in the first phrase throws a bit of a spanner into the works, and a player might well have cause to wonder who the "I" is that's apparently speaking. The parser? The author? Some sort of in-game narrator? For me, though, it went by so fast that I allowed myself to suspend that question. From the introduction, I presumed I was Captain Chaos' sidekick, there to help him with a sudden power failure on his jerry-built hovercraft. But then I typed in my first command, and this is how it went:

> I

Chaos has a Evil Overlord list.

What? But what's in my inventory? After a few commands, I slowly began to understand that the game was responding to my commands as if they were guiding Captain Chaos himself, then describing the results referring to the Captain in the third person -- "Chaos walks south", "He picks up the screwdriver," etc. What's more, from time to time the Captain Chaos character will offer some commentary on the command chosen, relating tangential or backstory facts about the parts of the environment he encounters while being guided by the player's commands. The more of this that goes on, the more prominent one question becomes: Who is the PC of this game? Apparently the introduction was addressing me -- me the player, not some avatar within the story with whom I am expected to identify. And who is Captain Chaos addressing with his asides? Again, it's the player. In a real sense, the player is the PC in Chaos. You, the player, control Captain Chaos with your commands, but he is aware of your presence, at least enough to make the occasional remark to you. And if all that's not complicated enough, wait until he finds (or you find, or something) the technology that allows him to control another entity remotely.

This is all rather haphazardly done in this particular game, as evidenced by my confusion at the first few prompts. I found myself bumping into unexpected forms of address, and having to puzzle out exactly what was supposed to be happening, or at least what it seemed like was supposed to be happening. Moreover, many of the questions raised by these narrative choices, such as those I mentioned about the use of "I" in the introduction, are just never answered. In fact, there is no announcement of any kind -- subtle, blatant, or otherwise -- that Chaos will overturn a fundamental IF convention, and the result is a rather jarring feeling of displacement. The creation of this feeling doesn't really seem to serve the story, at least not in any specific way I could determine. Nonetheless, I found it quite interesting. I was reminded of other competition games which have fiddled with the narrative voice, such as Christopher Huang's Muse and Graham Nelson's Tempest. Both of these games took a slightly different approach, having the parser itself take on a character, speaking to the player in the first person and executing the player's commands as if they were that character's own actions. "Tempest" even complicated matters further by explaining that its player's role is as "the magical will" of Shakespeare's Prospero, guiding Ariel (the parser's character) through the various scenes of the play. These tactics have a bit of a distancing effect on the player, setting identification at one remove and shifting the action from the player character to the parser character. Chaos, though it explains nothing of its strategy, actually creates one further remove by allowing neither a player character nor a parser character but another character altogether to be the focus of the action. Yet when this third character (third person, you might even say) speaks outward in the second person voice, it addresses the player (in a "Dear reader" sort of way) and brings the game and player closer together than almost any other IF I've seen.

Orchestrated strategically and used creatively, these techniques could make for a masterful, groundbreaking work of IF. Chaos isn't that work, but its experimentation does open up some very interesting, and mostly unexplored, territory. Beside this, the plot of the game seems quite inconsequential. There's a ship to be repaired, and various puzzles to solve, some required and some optional. These puzzles are decent, and the writing is passable, and although there are a number of coding problems, the game is at least finishable. It's a bit of a throwaway, though, a mediocre competition entry except for the unique approach it takes, almost offhandedly, to forms of address in IF. I enjoyed thinking about Chaos more than I enjoyed playing it, but if the author's next game explores the techniques employed here in a consistent, systematic, and clear way, the result will be well worth a few false starts.

Paul OBrian Profile

Name Paul OBrian
Gender Male

Also IFReviewed by

Andrew Plotkin

This IFReviewer IFReviews

- 1-2-3...
- 2112
- A Bear
- A Crimson Spring
- A Day for Soft Food
- A Day In The Life Of A Superhero
- A Good Breakfast
- A Light's Tale
- A Moment of Hope
- A New Day
- A Night Guest
- A Paper Moon
- A Party to Murder
- Aayela
- Acid Whiplash
- Ad Verbum
- Adoo's Stinky Story
- Aftermath
- Al Otro Lado
- Alien Abduction?
- All Things Devours
- Amnesia
- an apple from nowhere
- And the Waves Choke the Wind
- Arrival, or Attack of the B-Movie Cliches
- Asendent
- At Wit's End
- Augustine
- Aunt Nancy's House
- Babel
- Baluthar
- Bane of the Builders
- Beat the Devil
- Begegnung am Fluss
- Being Andrew Plotkin
- Bellclap
- Best of Three
- Bio
- Blade Sentinel
- Blink
- Bliss
- Blue Chairs
- Blue Sky
- BOFH
- Breaking the Code
- CaffeiNation
- Calliope
- Carma
- CASK
- Castle Amnos
- Cattus Atrox
- CC
- Cerulean Stowaway
- Chicks Dig Jerks
- Chronicle Play Torn
- coffee quest II
- Color and Number
- Colours
- Coming Home
- Comp00ter Game
- Concrete Paradise
- Congratulations!
- Constraints
- Crusade
- Curse of Eldor
- Curse of Manorland
- Death to my Enemies
- Delusions
- Desert Heat: A Romance Of Sorts
- Dinner with Andre
- Domicile
- Don't Be Late
- Down
- Downtown Tokyo, Present Day
- E-Mailbox
- Elements
- Enlightenment
- Enlisted
- Episode In The Life Of An Artist
- Erehwon
- Eric's Gift
- Escape from Crulistan
- Evacuate
- Exhibition
- Fear
- Fifteen
- Film at Eleven
- Fine Tuned
- For a Change
- Fort Aegea
- Four in One
- Four Mile Island
- Four Seconds
- Friday Afternoon
- Fusillade
- Futz Mutz
- Getting Back To Sleep
- Glowgrass
- Goofy
- Goose, Egg, Badger
- Got ID?
- Gourmet
- Grayscale
- Guard Duty
- Guess the Verb!
- Halothane
- Hell: A Comedy of Errors
- Hercules First Labor
- Heroes
- House of the Stalker
- Human Resources Stories
- Hunter, in Darkness
- I Didn't Know You Could Yodel
- I Must Play
- Identity
- Identity Thief
- In the End
- In the Spotlight
- Informatory
- Internal Documents
- Invasion of the Angora-fetish Transvestites from the Graveyards of Jupiter
- Jacks or Better to Murder, Aces to Win
- Jane
- Janitor
- Jarod's Journey
- Journey from an Islet
- Jump
- Kaged
- Kallisti
- King Arthur's Night Out
- Kissing the Buddha's Feet
- Koan
- Kurusu City
- Leaves
- Letters from Home
- Life on Beal Street
- Lightiania
- Lists and Lists
- Little Billy
- Little Blue Men
- little girl in the big world
- Lomalow
- Lovesong
- Lunatix
- Lurk. Unite. Die. Invent. Think. Expire.
- Madame L'Estrange and the Troubled Spirit
- Magocracy
- Maiden of the Moonlight
- Marooned
- Masquerade
- Metamorphoses
- Mingsheng
- Moments Out of Time: Explorer Type
- Moonbase
- Murder At The Aero Club
- Muse: An Autumn Romance
- Music Education
- My Angel
- My First Stupid Game
- Mystery Manor
- MythTale
- Nevermore
- Ninja V1.30
- No Room
- No Time to Squeal
- Not Much Time
- Of Forms Unknown
- On the Farm
- Only After Dark
- Order
- Out of the Study
- Outsided
- Pass the Banana
- Persistence of Memory
- Phlegm
- Photograph: A Portrait of Reflection
- Photopia
- Phred Phontious and the Quest for Pizza
- Piece of Mind
- Pintown
- Planet of the Infinite Minds
- Poor Zefron's Almanac
- Prized Possession
- Prodly the Puffin
- PTBAD 3
- Punk Points
- Punkirita Quest 1: Liquid
- Purple
- Ralph
- Rameses
- Ramon and Jonathan
- Rape, Pillage, Galore!
- Redeye
- Remembrance
- Rent-A-Spy
- Research Dig
- Return to Zork: Another Story
- Reverberations
- Rippled Flesh
- Risorgimento Represso
- Ritual of Purification
- Ruined Robots
- Sardoria
- Scary House Amulet!
- Scavenger
- Schroedinger's Cat
- Screen
- Shade
- Shadows on the Mirror
- She's Got a Thing for a Spring
- Silicon Castles
- Sins Against Mimesis
- Six Stories
- Skyranch
- Slouching Towards Bedlam
- Small World
- SNOSAE
- Sophie's Adventure
- Spacestation
- Splashdown
- Spodgeville Murphy and the Jewelled Eye of Wossname
- Square Circle
- Stack Overflow
- Stargazer: An Adventure In Outfitting
- Stick It to the Man
- Stiffy Makane: The Undiscovered Country
- Sting Of The Wasp
- Stone Cell
- Stranded
- Strangers in the Night
- Stupid Kittens
- Sun and Moon
- Sunset Over Savannah
- SURREAL
- Sweet Dreams
- Sylenius Mysterium
- Symetry
- Tapestry
- Temple of Kaos
- Temple of the Orc Mage
- Terrible Lizards
- The Adventures of the President Of The United States
- The Atomic Heart
- The Beetmonger's Journal
- The Best Man
- The Big Mama
- The Big Scoop
- The Case of Samuel Gregor
- The Cave of Morpheus
- The Chasing
- The City
- The Clock
- The Coast House
- The Commute
- The Cruise
- The Djinni Chronicles
- The Edifice
- The End Means Escape
- The Erudition Chamber
- The Evil Sorcerer
- The Fat Lardo and the Rubber Ducky
- The Frenetic Five vs. Sturm und Drang
- The Gostak
- The Granite Book
- The Great Xavio
- The HeBGB Horror!
- The Isolato Incident
- The Land Beyond the Picket Fence
- The Last Just Cause
- The Lost Spellmaker
- The Masque of the Last Faeries
- The Meteor, The Stone And A Long Glass Of Sherbet
- The Moonlit Tower
- The Newcomer
- The Obscene Quest of Dr. Aardvarkbarf
- The Orion Agenda
- The Pickpocket
- The PK Girl
- The Plant
- The Realm
- The Recruit
- The Tempest
- The Temple
- The Test
- The Town Dragon
- The Trip
- The Water Bird
- Thorfinn's Realm
- Threading the Labyrinth
- Till Death Makes a Monk-Fish Out of Me!
- Timeout
- To Otherwhere and Back
- Tookie's Song
- Trading Punches
- Transfer
- Trapped in a One-Room Dilly
- Travels in the Land of Erden
- Triune
- Typo
- Unholy Grail
- Unnkulia X: Escape of the Sacrificed
- Unraveling God
- Vicious Cycles
- VirtuaTech
- VOID: CORPORATION
- Volcano Isle
- What-IF?
- When Help Collides
- Where Evil Dwells
- Who Created That Monster?
- Winter Wonderland
- Withdrawal Symptoms
- Wrecked
- Yes, Another Game With A Dragon!
- You Are Here
- You Were Doomed From the Start
- Zero One
- Zero Sum Game
- Zombie!